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I don't write music, but as a writer of poetry I find myself wondering; for those who do compose music, which come first, the words or the music, or do they arrive in the creative mind together whole and complete? If the words present themselves first, then is it more difficult to 'find' the right notes to compliment them, than to find the right words to 'fit' one's musical composition?

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Hello Salmagundi, good to see you're getting your networking together on the music sites.
Personally, I don't think there is a set formula. I’m sure some people create music and lyric’s both ways, and, at times use both ways at the same time in finding the links with the words and/or the harmony. Also there are many ways to express this as we can hear with the many styles of music, including punk. When we are procuring lyrics and songs it's a bit like sculpting or painting. It is a good idea to have an instrument/tool to work your voice against and with. We are lucky enough to have a guitar to check the sound of the lyric’s against the music working together.
When we do music this way, we will start by playing around with some chords, notes & rhythms; we may have several written pieces in front of us and look within the writings for any lines that rhythmically fit with the beat of the music. This isn't always practical, in which case we think of the rhythm and sounds of words, the vowels etc, then we find the pitch for our natural voice and try to let it develop in it's own way to begin with. It is almost like putting pen to paper, it is a blank canvas open to interpretation and inspiration.
Having some kind of musical accompaniment will always help, even if it is just a basic click/metronome, so that one can work out the timing of the words against the idea. Instruments, whether you are an accomplished musician or not, are great door ways to discovering and developing new ideas, all are inspirational, and remember the more you play an instrument the better you will know it. Once you start to understand the basics you will find it and you discovering many new things.
When I write lyrics, without any musical accompaniment, I concentrate on the rhythm, knowing where the one is, as in 1, 2, 3, 4 is very important, even if the beat is 1, 2, 1, 2, or 1, 2, 3, the One is what will keep you in time.
How you say a word has its own timing/rhythm and you can use these lengths to be part of the rhythm. Once you have a line down, read it and follow the rhythm. If you have pitch you can use this to aid in the feel/emotion of the song.
All words written or spoken have some emotion attached to them. When we make these musical it is like adding on another emotion. When these two come together we have unison of 2 very strong influences, both inherently tied to the human condition of the real and the psyche.
We hope this has shed some light on how we do it, and hope that it gives you an easier time trying to understand different philosophy’s on the “Creative”.
The creative is abundant and for all time we are ONE of all.

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What a clear description of the creative process for a musician! Thank you so much.

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Salmagundi

Chicken or egg? 3 Replies

Started by Salmagundi. Last reply by radfax Aug. 20, 2008.

Heron Gibran Bio

Heron Gibran is a bit of an enigma. A true renaissance man. It hardly seems fair to call him a rapper. The word isn’t large enough. Does not encapsulate him. If you talked to him for more than five minutes about hip-hip, the state of affairs in the music industry, politics, religion, whatever…you’d understand. Rapper does not do him justice. While he considers himself a Washingtonian, Heron was actually born in the Bronx, New York. Around the same time he was born, a new street culture was emerging. As he grew, hip-hop grew. As hip-hop expanded, traveled, became more sophisticated, international…so did he. Lately, he has been working closely with long-time friend and colleague, Asheru (creator of the Boondocks theme song). Together they have performed all over the nation’s capital. Along with producer/emcee Aychell, they formed the hip-hop super-group, Black Lincolns, and released the breakthrough single “The Hustle”. Heron has also contributed music to the forthcoming Boondocks soundtrack. Over the years he has released several solo projects, the most recent being The Amnezia Haze EP. This underground classic gem is an eclectic collection of tracks, some of which were recorded overseas in Amsterdam. It also features “By Any Means” and “Dance With Me”, both produced by DJ Khalil of California’s Self-Scientific, who has also produced for The Game and Jay-Z. So…between globetrotting and helping to vitalize the DC hip hop scene and teaching graphic design to inner-city children with special needs, Heron Gibran simply defies categorization. He is anomaly in a musical landscape where simplicity rules. But he’s creating his own rules, and making coverts one handful at a time along the way.

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